Lance Armstrong went from being one of the greatest sports heroes in modern history to its greatest villain. Few human beings have ever turned heel with such cinematic flair, so it makes sense that he’d get his own movie sooner rather than later. The first trailer for The Program looks exactly like you’d expect a sports biopic from director Stephen Frears to look: classy, bold, and full of interesting actors scowling at each other.
The original Pitch Perfect grossed a modest $65 million at the domestic box office, which was just enough to justify a sequel. Three years later, Pitch Perfect 2 has just passed $160 million on a budget of only $29 million, so yeah, of course Universal is officially moving forward with Pitch Perfect 3. It turns out that a combination of snarky comedy and a capella remixes of pop hits is a license to print money. So much money.
Hollywood has seen its fair share of movies where man attempts to conquer nature, only to find himself thoroughly humbled. Everest looks to continue that trend, putting one of the best ensembles in recent memory smack-dab in the middle of Mother Nature’s wrath. As the title implies, the film deals with an expedition up the world’s tallest mountain going oh-so-horribly wrong. As the trailer shows us, an Everest expedition going wrong looks like an incredible movie.
Aloha may have opened to scathing reviews and poor box office, but the latest film from writer/director Cameron Crowe did touch a nerve. It just so happened to a nerve that no one ever wants to touch. Despite being set on Hawaii, the cast is chock-full of the whitest white people in Hollywood, including Bradley Cooper, Rachel McAdams, John Krasinski and Alec Baldwin. That wouldn’t have been a problem if the only character with a distinctly Hawaiian background wasn’t played by the ludicrously pale Emma Stone. Yes, Stone was cast as a character named Allison Ng, so you can see why feathers were ruffled, especially since Hollywood already has a poor track record with racial representation in movies.
Like all of Pixar’s teaser trailers, the first preview for The Good Dinosaur is all about mood, emphasizing a distinct feeling over characters and plot. But as the title implies, it’s really all about dinosaurs. Colorful, adorable dinosaurs who, thanks to director Peter Sohn and the Pixar braintrust, aren’t wiped out by an apocalyptic asteroid 66 million years ago and live on to have all kinds of adventures. Take that, science!
By now, everyone is familiar with the interconnectedness of the Marvel Cinematic Universe and how every film references what came before and what’s arriving next. So it makes sense that Ant-Man, the riskiest Marvel endeavor yet, will supposedly be filled with references to one of Marvel Studios’ surest things: the new Spider-Man. We guess the bug-themed superheroes have to stick together, huh?
In one weekend, Pitch Perfect 2 has handily outgrossed the entire run of its predecessor, proving that you should never underestimate a sleeper hit that steadily grows an army of dedicated followers through the power of Blu-ray and DVD. Right below it, Mad Max: Fury Road opened to respectable numbers that will look disastrous to anyone who doesn’t pay attention to the details. Let’s dive in.
Acquiring Lucasfilm and Marvel were just two minor steps in Disney’s grand plan to eventually own everything you love and control your life as Entertainment Overlord Supreme of the Planet Earth. But to be fair, they are a benevolent god. A caring god. A god that wants to make its riches available to you, should you want to indulge yourself. So prepare thyself: TV channels based entire on Marvel and Star Wars content may be coming.
It should come as no surprise that Warner Bros. is planning to resurrect The Fugitive in some capacity. After all, a major film studio returning to the well of the comfortably familiar for a remake or a reboot (or a reboot of a remake) is pretty par for the course these days. What makes this news ever-so-slightly interesting is the suggestion that this may be a continuation of some kind, featuring the same characters that Harrison Ford and Tommy Lee Jones played in the iconic 1993 film.
As expected, Avengers: Age of Ultron dominated the box office for the second weekend in a row, pulling in numbers that would be the envy of most summer blockbusters’ opening three days. And while the only new release of the week faltered, it was a surprisingly strong week overall, with many of the films in the top 10 faring well despite facing one of the biggest movies of the year.
Last night’s generally unremarkable episode of SNL peaked early when it took advantage of its proximity to Mother’s Day to do something kind of remarkable. As part of her opening monologue, guest host Reese Witherspoon declared that the show was going to mark the occasion by bringing each cast member out with his or her mother...and then forcing them to apologize for their childhood transgressions.
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