I know one reaction I’ve had to the (allegedly) North Korean hackers and their attack on Sony and their movie ‘The Interview’ is “Why now?” Seth Rogen and Evan Goldberg are not the first American filmmakers to make fun of North Korea, or even its real-life leaders. ‘Team America: World Police,’ for example, featured a marionette-version of late North Korean dictator Kim Jong-il, who wants to destroy Western Civilization (but is also very lonely); the 2012 ‘Red Dawn’ remake actually changed its Asian invaders from Chinese to North Koreans in post-production because at the time that seemed like the more politically and financially safe choice. That’s not going to happen again anytime soon.
J.J. Abrams is famous for keeping secrets. His whole schtick as a director is the “mystery box”—finding pleasure in the unknown, and in the tease of that uncertainty. He didn’t show the monster in the trailer for ‘Cloverfield’; hell he didn’t even show the title of the movie in the trailer for ‘Cloverfield.’ If J.J. Abrams could release a movie without telling you anything about it, he probably would.
This is a weird instance of art imitating life imitating art. Universal Studios Orlando’s famous old ‘Earthquake’ ride was recently updated and replaced with a similar attraction called ‘Disaster!’ where guests get to experience movie special effects, and become extras in the “ultimate” disaster movie called ‘Mutha Nature,’ which stars none other than Dwayne ‘The Rock’ Johnson. Next summer, Johnson will be seen in ‘San Andreas,’ which is basically ‘Mutha Nature’ brought to life.
Trailers are a huge part of the fabric of movies. They play before every film shown in theaters, and on every movie website around the world. They’re commercials, obviously, but they’re also more than that; miniature works of art that utilize the core elements of cinema—image, sound, music, action, editing—at their most pure and refined. And today at ScreenCrush we’re celebrating movie trailers by saluting the best sneak previews of 2014.
Every year, Little White Lies Editor-at-Large David Ehrlich celebrates the best movies with a video countdown supercut. The newly released 2014 edition is typically excellent, and covers Ehrlich’s picks for the top 25 films of the calendar year (even if I might quibble with some of his individual choices coughsomethinginmythroatnotreallyIjustdon’tlike‘Godzilla’cough).
A sequel to Ben Stiller’s ‘Zoolander’ has been a long time coming. The original movie, which followed the hilariously dumb misadventures of a male model named Derek Zoolander (Stiller), opened in the fall of 2001. 13 years later, work is finally starting to ramp up on the follow-up. Actor and writer Justin Theroux will direct ‘Zoolander 2’ (which should be called ‘2lander,’ for obvious reasons), and Stiller will reprise his role as Zoolander, along with Owen Wilson as his model buddy Hansel and Will Ferrell as the world’s most evil fashion designer Mugatu. Deadline says that the returning cast now has its first new addition in the form of the lovely Penelope Cruz.
That is one of the most famous lines from one of the most famous scenes in all of cinema: Dustin Hoffman’s Benjamin trying not to be seduced by Anne Bancroft’s Mrs. Robinson, his father’s partner’s wife in 1967’s ‘The Graduate.’ The film was just the second directed by Mike Nichols, the enterprising comedian turned theater and cinema director, who died Wednesday at the age of 83.
'The Hangover' giveth and 'The Hangover' taketh away.
The first 'Hangover' made Bradley Cooper, Ed Helms, and especially Zach Galifianakis stars, and it elevated Todd Phillips from middling Hollywood director to name-brand comic auteur. But in the film industry, success that surprising and enormous demands more success; the beast must be fed. But as 'The Hangover Part II' and especially the new 'Hangover Part III' prove, it is very hard to make a good sequel to a truly original idea. 'Part II' went the rehash route, recycling the plot of the first movie so brazenly you almost had to admire its chutzpah. 'Part III' finally breaks with the formula a little (SPOILER ALERT: there is no hangover), but still doesn't produce anything even remotely worthy of the first film.
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